A natural versatility
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\nCeramics can be inserted into various segments of the decoration, shows the architect Andr\u00e9a Schettino. In floor and wall coverings, in interior architecture elements (bathtubs, lamps, sconces), in decorative objects (sculptures, vases, wall clocks, book weights, candlesticks, mirror frames, decorative plates, cachepots) , and in utilitarian objects (jars, plates, salad bowls, etc.), the technique meets the most varied styles, shapes, shine, enamels, colors and tastes, he emphasizes.<\/p>\n\u201cBecause it is a natural element, it prints a feeling of comfort, which goes from rustic to sophisticated\u201d\u00a0<\/strong>Andrea Schettino, Architect<\/em><\/p>\n\u200bBecause it is a natural element, it prints a feeling of comfort, which goes from rustic to sophisticated. \u201cThe use of ceramics has always been a trend. The material was one of the first to be used as utilitarian and decorative pieces by our ancestors. The plastic ability of clay to be modeled and after being burned to be very firm, allowed primitive man to produce a variety of utensils and adornments. Currently, the trend has emerged as a sustainable and harmonizing element. In recent years, the growing concern with sustainability and green architecture has brought back the use of natural elements to contemporary environments, putting ceramics in evidence, not only for its plasticity and beauty, but also for its social side. There are now several needy communities that develop through the artisanal production of ceramics\u201d, says Andr\u00e9a.<\/p>\n
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